| 2020/2021 | Uncover secrets of Chinese Characters in Macao Heritage sites | 2021/1/9 | Prof. TANG Keng Pan |
| 2020/2021 | Macao Drunken Dragon Festival | 2021/1/16 | Prof. TAM Mei Leng |
| 2020/2021 | The rhythm and creation of metrical poetry | 2021/1/16 | Prof. TANG Keng Pan |
| 2020/2021 | A Study of Contemporary Chinese Ink painting | 2021/1/16 | Prof. Lampo LEONG |
| 2020/2021 | Macao Cantonese Pinyin System | 2021/1/23 | Prof. TAM Mei Leng |
| 2020/2021 | Chinese analysis in multi-layer context | 2021/1/30 | Prof. SIO Chio Ieong |
| 2020/2021 | Uma visão dinâmica para a educação em línguas | 2021/2/6 | Prof.José Pascoal |
| 2020/2021 | The Literati of Ming Dynasty Seen from Painting | 2021/4/10 | Prof. TAM Mei Leng |
| 2021/2022 | Feelings of Four Seasons — Life and Seasons in Poems of the Twenty-four Slar Terms | 2021/4/10 | Prof. PANG Hoi Ling |
| 2021/2022 | Lion Dance | 2021/4/12 | Prof. TAM Mei Leng |
| 2021/2022 | Methods and Techniques of Cultivating Language sense of Mandarin | 2021/4/17 | Prof. SIO Chio Ieong |
| 2021/2022 | Talking about Chinese and Western in Phoenix Hill | 2021/4/21 | Prof. TANG Keng Pan |
| 2021/2022 | Discovery of Luyang and Appreciation of Pavilion | 2021/4/22 | Prof. TANG Keng Pan |
| 2021/2022 | Zheng Guanying, son of Macao | 2021/5/8 | Prof. TANG Keng Pan |
| 2021/2022 | The Zheng’s righteousness is renowned all over China | 2021/5/15 | Prof. TANG Keng Pan |
| 2021/2022 | Zhu Zi and Qian Mu’s interpretation of rites in the Analects of Confucius | 2021/12/4 | Prof. YEUNG Siu Kwai |
| 2021/2022 | The view of the world and interpretation of later generations in the Analects of Confucius | 2021/12/11 | Prof. YEUNG Siu Kwai |
| 2021/2022 | Uncover secrets of Chinese Characters in Macao Heritage sites | 2021/12/4 | Prof. TANG Keng Pan |
| 2021/2022 | Correctly interpret the culture symbol in literature–a case study of Liu Yuxi’s Lou Shiming | 2021/12/11 | Prof. TANG Keng Pan |
| 2021/2022 | Learning Chinese Culture by travelling | 2021/12/11 | Prof. WANG Sihao |
| 2021/2022 | Using native language to distinguish flat and oblique tones in poetry and understand the phonetic symbols in the dictionary | 2021/12/11 | Prof. LO In Fat |
| 2022/2023 | Quick, easy and accurate “Cantonese pronunciation map” | 2022/5/7 | Prof. TANG Keng Pan |
| 2022/2023 | The Culture of Macau Eight Scenery and Chinese Eight Scenery | 2022/5/21 | Prof. TANG Keng Pan |
| 2022/2023 | Festival activities in Macao: Feast of Drunken Dragon and Feast of the God Tou Tei ── On the possibility of preserving multiculturalism | 2022/5/7 | Prof. TAM Mei Leng |
| 2022/2023 | António Conceição Júnior and Ling Ling’s local female group images and the unique feelings of traditional Macau. | 2022/5/14 | Prof. TAM Mei Leng |
| 2022/2023 | Creative Pottery Workshop-Exploring and Experiencing I | 2022/5/21 | ZHANG Ze Xun |
| 2022/2023 | Creative Pottery Workshop-Exploring and Experiencing II | 2022/5/28 | ZHANG Ze Xun |
| 2022/2023 | The view of the world and interpretation of later generations in the Analects of Confucius | 2022/11/12 | Prof. YEUNG Siu Kwai |
| 2022/2023 | Quick, easy and accurate “Cantonese pronunciation map” | 2022/10/29 | Prof. TANG Keng Pan |
| 2022/2023 | The Culture of Macau Eight Scenery and Chinese Eight Scenery | 2022/10/22 | Prof. TANG Keng Pan |
| 2022/2023 | Cantonese Opera’s Sources and the Cultural Connotations of its Singing and Performing | 2022/11/15 | Prof. TAM Mei Leng |
| 2022/2023 | Macao Cantonese Pinyin System | 2022/11/12 | Prof. TAM Mei Leng |
| 2022/2023 | Using native language to distinguish flat and oblique tones in poetry and understand the phonetic symbols in the dictionary | 2022/10/15 | Prof. LO In Fat |
| 2022/2023 | The role of grammar in a task-based approach | 2022/11/3 | Prof Sara Gonçalves dos SANTOS |
| 2022/2023 | Portuguese as foreign language in China (relating a Framework to practice) | 2022/11/3 | Prof. Maria José dos Reis Grosso |
